September 2, 2008...10:50 pm

we are the “wild” ones, we are the “wild” ones . . .

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ooops, nope, that’s “we are the champions” by queen sorry, but the best thing I like right now with web 2.0ing is the video scene, i love to find great old songs, great author/artist interviews and of course you can practically find a download or podcast of just about anything “important” anymore . . . say . . . . in defense of food?? by pollan??

Michael Pollan visits Google’s Mountain View, CA, headquarters to discuss his book, “In Defense of Food.” This talk took place on March 4, 2008, as part of the Authors@Google series.

. . . the greatest find of late is the “authors@google” or “candidates@google” . . .

– here’s a few goodies, they are all an hour in length so it’s not a quick soundbyte thing, hence maybe some people would be bored .. . . all i can say is Do your political homework folks!!! (ahem)

Illinois Senator and 2008 Democratic presidential hopeful Barack Obama visits Google’s Mountain View, CA, headquarters to deliver his innovation agenda, speak with Google CEO Eric Schmidt, and take questions from Google employees. This event took place on November 14, 2007, as part of the Candidates@Google series.

and don’t forget to have some fun!!

http://www.youtube.com/watch?v=m6M2y0YhhaU

Glass artist Dale Chihuly visits Google’s Mountain View, CA headquarters to discuss his Gardens of Glass. This event took place on June 19, 2008, as part of the Authors@Google series.

Dale Chihuly is most frequently lauded for revolutionizing the Studio Glass movement by expanding its original premise of the solitary artist working in a studio environment to encompass the notion of collaborative teams and a division of labor within the creative process. However, Chihuly’s contribution extends well beyond the boundaries both of this movement and even the field of glass: his achievements have influenced contemporary art in general. Chihuly’s practice of using teams has led to the development of complex, multipart sculptures of dramatic beauty that place him in the leadership role of moving blown glass out of the confines of the small, precious object and into the realm of large-scale contemporary sculpture. In fact, Chihuly deserves credit for establishing the blown glass form as an accepted vehicle for installation and environmental art beginning in the late twentieth century and continuing today.

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